On a Boeing-737 a 39-y.o. flight attendant, Vanina, tries hard to hide her, obvious, discomfort. Everyone seems genuinely worried about her while she goes on complaining about her new braces. She blames her mother for not taking care of her teeth when she should. However, her colleagues know; this plane carries her mother's dead body to her hometown. When the turbulence become threatening, Vanina faces an urgent need to see her mother in what proves to be a last chance for reconciliation.

Thanasis Neofotistos is a Film Director, Writer & Architect from Greece. Member of European Film Academy (EFA), Berlinale & Sarajevo Talents alumnus and Head Programmer of Student Int’l Competition of Drama Int. Short Film Festival. But most importantly, member of the LGBTQI+ community! His new short film AIRHOSTESS-737 (16'-2022) premiered in 75th Locarno IFF 2022 and then at 47th TIFF Toronto Film Festival!...

Alex is the only girl in her "automotive biomechanics" class. For her degree, she has chosen to build an engine made of artificial flesh. One night, Chloé, who shares her boarding school room, discovers that Alex takes a singular pleasure in working on her living machine...

Ádám lives the calm life of a small-time pot dealer in his late grandma’s prefab apartment in the outskirts of Budapest. Since he left home, he created himself a low-key but functional life, which no one can really disturb. No one but perhaps Bence, his 14 year old half-brother who just left home and is looking for refuge at Ádám’s place.

Márk Beleznai is a Budapest based 29 year old director and is currently a student specialized in filmmaking. He also works as a projectionist in a small art-house cinema called Cirko-Gejzír. His main focus is directing, but he also studies editing, cinematography and scriptwriting. His first notable short film, Agapé, which was made with fellow students at Budapest Metropolitan University, has been accepted for various festivals, such as the Cinéfondation selection of Festival de Cannes, and won several awards.

This story is about a girl’s secret dream of being a performer. But she is not just an ordinary girl, since her job is assisting the actors and helping them get ready as well as doing other odd jobs around the theater. Her life is constantly surrounded by her dream, but unfortunately in a very different context.

A bird hits a window of a café and disrupts its customers. A woman faces a decision on whether to ignore nature or to react.

Maya takes her parents and sister to the desert in order to film them for an additional scene in her film. But the day of filming turns into a never-ending family argument, and it becomes unclear whether they will even manage to cooperate and become a team.

Born in Tel Aviv, Israel, on 8.4.92. From 2009 – 2010 she studied cinema in ”Hadarim high school” and worked on many film sets. From 2014 – 2019 she was a student in “Minshar school of art” in Tel Aviv. Since 2014 she has been working as a freelance editor. Most of her films she writes are about her family and in which she plays along with her real family members... In 2022 she directed and wrote the short film “Killing ourselves”, sponsored by “Gesher Film Foundation” and premiered at “Jerusalem film festival “ and won the Best Live Action Film...

It’s Christmas Eve, and Synnøve is searching for her drug-addicted daughter Michelle in an almost desolated city. (Synnøve and Michelle are mother and daughter in real life and play versions of themselves in a story that is very close to their own lives.)

Aslak Danbolt is a Norwegian filmmaker from Bergen, who lives and works out of Oslo, Norway. He studied Documentary Directing at Lillehammer University College and graduated with «Martin-the Ghost» in 2009, which premiered in competition at IDFA that year. In 2010 he was selected for The Berlinale Talent Campus. From 2011 to 2014 he attended The London Film School, where he focused on writing and directing fiction. His grad film from the MA program “Last Base”, was selected for more than 120 festivals (including Tribeca, Chicago & Slamdance) and won numerous awards...

A 13-year-old girl and a 30-something man are brought to a police station in Mumbai in the middle of the night by two strangers. Amidst questionable motives and unreliable narrators, a frustrated female constable investigates what happened that night, and what could’ve happened.

Reema Maya aka Reema Sengupta is an award-winning filmmaker, known for her socially relevant independent work and eclectic commercial work. Reema’s short film Counterfeit Kunkoo had its world premier at the Sundance Film Festival 2018, where it was the first Indian fiction short to be nominated in 16 years...

Emilio, is a lifelong farmer in his 80’s who lives alone on his abandoned farm. Everyone close is gone. One animal is all there is left. Today is the day he decides to sell it.

One bad night for a New York City delivery driver.

In research on the religiosity of Poles conducted in the 1990s by OBOP, the percentage of believers has always fluctuated around 95%. At the same time, the unemployment rates also reached record values. The crisis strengthened the society's need for spirituality, which allowed things not necessarily possible to happen in other times .

Jan Bujnowski (born 18.11.1994, Białystok) Student of Film Direction at National Film School in Łódź. He also studied journalism and history of art at University of Warsaw. His short films ”Time machine”, ”The Crossword”, ”The Olympian” and "The Devil" were screened at over 60 film festivals in the world.

How can we experience intimacy if we are unable to express love? Adél, a Generation Z teenager, pushes her boundaries in search of her own identity. Her boyfriend, a typical man-child, drives her into more self-destructive behaviour. Can she feel free without knowing what it means?

Jakob Ladányi Jancsó was born in Hamburg in 1989. He got his degree in psychology at the Freie Universitat Berlin, then he studied film directing at the University of Theatrical and Film Arts in Budapest. He finishes his master studies as film director in 2022 at the Filmakademie Wien.

Following an unpleasant run in at the beach, teenagers Oscar and Iben are left behind by their friends.

Except for mountain landscapes, magical rocks, and a few other kids, the village where Xiaohui lives with his grandfather and two cows has nothing to offer. The nine-year-old sorely misses his parents who work in the city. When grandpa has to sell a calf, the clever grandson tries everything to prevent the separation of mother and child. A soulful cry for love in times of capitalism.

Xinying Lao was born in Guangxi, China in 1997. Xinying Lao is a Chinese filmmaker and a third-year Graduate Film student at New York University. She is a director, writer, and editor. She has made several doc shorts and narrative shorts. She studied journalism as an undergraduate, which brought her into contact with people from different classes in society. In her films, she is dedicated to conveying the vulnerability that people are afraid to express in reality. Xiaohui and His Cows is her second-year film project at NYU.